September 2009

1: I was the first to arrive for Indiana Repertory Theatre's Season Auditions, so I was seen about an hour and a half later.  After my two contrasting, the Associate Artistic Director asked how long the drive was.  I ran into Paul Wallace there, so we headed off to get lunch at a nearby Steak 'n Shake and catch up on things.
2: Watched Incredible Story Studios - Star Struck, which I think was a gift from April that I'd had for a while.  I sat through it and then gave it back to her.
4: Watched The Fountain with Justin & Peter.
6: I auditioned before my appointment for a short film (at that time titled The Truth About Lying) that was supposed to film in Wicker Park not long before I'd be moving north.  I read for the role of Eric 1, a sci-fi nerd; the director asked for something "different" on the 2nd read and liked the end of what I presented.
12: I participated in New World Arts' 24/7 Play Festival - that is to say, 7 short plays completely produced within 24 hours.  So I showed up around 9am and rehearsed most of the day for the 2 showings that night.  We were first in the lineup, which meant breathing easy after finishing and getting to truly enjoy all the other plays.  Our show was called Paging Dr. Love and had some great, comedic moments.
15: I auditioned for a couple musicals at Cardinal Stage Company - The Sound of Music & Little Shop of Horrors - which meant a little different selection of material than usual for me.  I was asked what other songs I had considered, what roles I was interested in and then to sing some of "Suddenly Seymour" (which I then wished I was little more familiar with).
20: Finished reading The Merchant of Venice.
21: On the way up to St. Paul, stopped in Chicago for my scene in (what was still titled then) The Truth About Lying.  I had been cast as Eric 2, a similar but slightly less vocal role.  But they paid a little more than they had said in the audition notice.  Lots of fun in the five-hour shoot.  I then hustled over to try to make Lookingglass Theatre's Season Auditions.  I arrived before the end time listed, but at first the Producing Artistic Director said they were done for the day.  But he relented and even gave me some time to collect myself (I had a rather harried time getting there during rush hour) before launching into the one monologue.  He asked who my character was talking to, suggested a new headshot and chronological resume, then asked where Riverside was and what was my most recent credit.
22: Intro to the full company of Othello and then the read-through.  The leads had already been rehearsing for a week or something, but it was the first day for most of us.  I started the day with 0 lines and had 1 by the end - a sailor delivering a message had not been previously assigned.  Yay!
23: Rehearsal for Othello.  I was barely on time, not being very familiar with parking in the area.  We blocked I.i-II.iii
26: Chris emailed me a draft of Fall of Gotham, which I read immediately and got back to him with the roles I preferred.
27: A few days off before the next rehearsal, where we blocked V.ii, blocked and added fight choreography to V.i and then worked on some odds & ends: II.ii-iii; how to portray a soldier in the period we have set the play in, salutes, etc.  Then an hour off to eat before running the whole show!
29: I had intended to crash Guthrie Theater's Season Generals (as I have crashed countless other Equity auditions in Chicago, and a few in New York).  So I arrived about an hour and half before they began, and not until a half-hour later was notified that no non-union actors would be seen, regardless if there were open slots.  I was able to leave a resume/headshot, and was told that the Associate Artistic Director and Artistic Administration Coordinator would be attending Othello.  Even with my bicycle having broken down en route, this left me plenty of time to get to Othello rehearsal, where we worked more on blocking I.i-II.i.
30: At rehearsal, worked on II.ii-iii.

August 2009

1: We continue Much Ado about Nothing the next night to another big crowd!
3: Auditioned for The Flowers for About Fact Theatre's XYZ Festival, after a couple hours wait.  The company had asked for a classical monologue to be prepared as well, but ended up just having me read half a side.  At least they laughed at my interpretation of the final line.  Later that night, attended the Season Auditions for Attic Playhouse.  I performed a monologue this time, and a few lines of another to demonstrate a British accent; they asked if I was attached to my beard.
6: The Human Race Theatre Company called me back to audition for a touring show, Lazzi-Faire.  An involved audition, with interspersed readings, improvisation and other movement work that called for quite a bit of research into the Commedia characters (for me, esp. Scaramouche and Arlecchino).  That evening, headed to Illinois to audition for Apple Tree Theatre's season.  The casting person wondered how many EMC points I have and whether I had thought about a new headshot; she thought I showed improvement from the Giver audition -- so, was evidently confusing me with someone else.  Then callbacks for Affections of May at Attic Playhouse, a large number of cold-reads, mostly for the Hank role (but Brian and Quinn as well), with a lot of redirections and at least one "nice adjustment".
8: Offered the role of Hank (see above), but I couldn't accept due to the extremely low pay, which had not been mentioned previous to the callbacks.
12: Dinner with Justin, Matt and Jon before catching Star Trek at the dollar theatre with the first two.
14: Only a couple hours wait to audition for First Folio Shakespeare Festival's season - which was mostly cast beyond a few roles in Twelfth Night.  The Executive Director chuckled just before a transitional moment in my David Hare monologue - to be honest, I'm not sure what was funny at that point, although I do like that this piece tends to elicit curious reactions.
16: Watched Harry Potter and the Order of the Phoenix with Justin, Peter, Matthew and perhaps some more folks.
19: Another movie night, Gran Torino, with Justin, Peter, Liz, Allesha and Libby.
20: Notre Dame Shakespeare Festival invited me to attend the 10th Anniversary Season Gala, which included a buffet, cocktails and of course the production of Twelfth Night.  And then a VIP reception with the cast and crew after.  Charming!  I enjoyed the play and sitting with Maureen Gallagher; whom I hadn't seen much since we shared scenes in The Comedy of Errors in 2006.
22: Caught Public Enemies at the dollar theatre with Kyle.
26: Justin loaned me Constantine to watch, which was mostly a waste; I enjoyed the various versions of the deleted scenes more than most of the film proper.

May 2009

2: Auditioned at River Bend Film Festival for a vampire series called Dark Secrets, which involved a cold read for the main character as well as a prepared monologue; noting Quantum Leap: A Leap to Di for on my resume, the director asked if I knew Ed Ernstes (of course!).  Then over to Goshen for an audition for both a) an unnamed, supposedly soon-to-be-created summer stock theatre and b) a short film trilogy called Samuel - A Journey of Discovery.  For the latter, I did a cold read for the Messenger in part III; and for the former, two monologues (the director stopping each midway and asking for more emotion) and two songs.  I haven't heard anything since about the company.  And back to River Bend to audition for various films by Big Hat Cowboy Productions, cold reads with another actor of two roles in two shorts.
4: Short wait, thanks to an early start, for Cincinnati Playhouse in the Park's season auditions.  The artistic director wanted to know how long I had been in Chicago, didn't ask for a second monologue - and had not seen the production of Midsummer I had done in Cincy.
7: Star Trek Versus Batman was chosen by Fan Cinema Today as "A Top 5 Must-See Star Trek Fan Film".
9: Headed down to Noblesville for a table read of Shoki's Bag - read for Caper and Inquisitors 2 & 3 - with Gavin Rulon in the lead and lots of Indy folks I had acted with, or had been in projects with if not scenes, or knew by name.  Then chatted with various members of the team about editing, role-doubling, casting name actors, etc.  After lunch, hung around for a meeting of a team - a director and several writers - for the upcoming 48 Hour Film Project.
12: Longer, but not unreasonable, wait for Goodman Theatre's non-musical season auditions.  I felt like I really rocked my two monologues that day.
15: My callback at Boarshead for Death of a Salesman ended up actually being for the role of Biff, not Bernard.  Read a scene (from "Did you see the new football" to "This summer, heh?") with another actor as Willy.
16: To Rochester to audition for a feature, Goss Acres, and a web series, In the Box - the latter was to have ongoing single-day shoots (with different casts) through the year.  Did a monologue as well as a couple of cold reads.  One of the auditors requested an extra resume to consider me for a separate project, Leach.
17: Watched Seven Pounds with Justin, Pete, James & Matthew.
21: Waited most of the day for Indiana Repertory Theatre's season auditions.  I even let another auditioner cut as she had a rehearsal as an understudy for Rock and Roll at the Goodman, which cost me an additional half-hour.  This did give me time to finish reading Inherit the Wind.
23: Auditioned for several different indie film projects.  A feature, One Night (cold read of a scene as the lead); a DePaul MFA thesis feature The Waves, plus earlier project Crossing the Lake (a monologue and a chat, questions about Star Trek Versus Batman); a horror short Haunted (monologue and questions about my experience, comfort level with various things, etc.); and an untitled short/music video (monologue and talked about the plot).
24: Watched The Chronicles of Narnia: Prince Caspian with Pete, Sarah, Joe, Collin & Matthew.
27: Rehearsal of Haunted (read/discussed the script, rehearsed look/actions, discussed wardrobe)
28: I was the first in line for Timeline Theatre Company's season generals, so I didn't have to wait terribly long - a couple hours.  Spent some of that chatting with Andrew Redlawsk, and some finishing The Drawer Boy.  Then went to do my monologue and remind the artistic director that he had called me in previously to audition for The History Boys (after getting my name from another theatre; I had been on tour with NTC at the time of the audition and into the rehearsal period).
29: The next day, again saw Andrew, and Cristina Panfilio, while hoping to be seen at Actors Theatre of Louisville's Season auditions, and finishing reading Boom.  But I had to leave for a callback in Indy for several of Cardinal Stage Company's productions - Inherit the Wind, Boom & Drawer Boy.  I was being considered especially for Jules and Bertram Cates, read 1 side for Jules, 2 for Miles, 2 for Cates - the second repeated with a couple redirections.  While I was in town, stopped by an open call for a short called Sunday Morning, where I cold read a sides 3 times with various imprecise redirections.
30: Attended the season auditions for Meadow Brook Theatre; while waiting, saw Paul Riopelle, who suggested a Claudio-in-jail monologue from Measure for Measure would be a good audition piece for me.  After a couple monologues, the artistic administrator checked whether I had any conflicts and the managing director wondered whether I had a place to stay in the area.
31: A twelve-hour shoot day for Haunted, with the three person crew (including the director) and one other actor.

April 2009

13: Auditioned for Boarshead Theatre's season after a very short wait (I was a walk-in).  The artistic director asked me re Florida Studio Theatre as she knew a former A.D. there, and also wanted to know what Star Trek Versus Batman was (I get that question a lot).  She indicated I might be called back in later on for Bernard in Death of a Salesman.
14: Auditioned for a horror/romcom short - indie rather than student - called Hangers.  Several sides to cold read with other actors, even switching roles at one point, and a monologue.
17: Went to the dollar theatre to see Slumdog Millionaire with a big group: Sarah, Ricky, Justin, Catherine, Allesha, Liz, etc.  I was a little late, so I missed the very beginning.
18: Full day around Indianapolis, first off a double screening in Hamilton of two shorts, Waffles for Virginia (its premiere) and The Fresh Air Will Do You Good - two very different productions: a family film with animated sequences and a scifi buddy comedy.  Then over to Plainfield to audition for another horror flick, Freight.  Waited two hours before being seen, then they took forever, wanting to see everyone read everything and lots of repetition.  Ugh.  Ended barely in time to make it over to the main event, the premiere at the IMAX of A Time for the Heart, followed by Quantum Leap: A Leap to Di for.  A great crowd out for those, and I really enjoyed seeing Heart finally completed.  At the wrap party, had a great time hanging out with all those I had known from the shoots as well as meeting some new folks - who had worked on different scenes - or family of cast and crew.  Another filmmaker (not involved in these two) was also there for some reason, so I chatted some about her upcoming project, Shoki's Bag.  I couldn't stay as long as I might have liked though, as had some more traveling to do before a 10k trail run the following morn.
20: Had a quick headshot session (TFP), which was presumably done to build the photographer's portfolio and/or to try to get me to purchase additional prints or files.  But I got one good, free shot out of it -- and I certainly needed something to replace my college-era headshot.  So it worked out.
22: Not much more than an hour wait for Steppenwolf Theatre's general auditions - which is good.  The casting director wanted to know if I lived in Chicago, and to keep her posted when I do make that transition.
23: Auditioned for a number of Columbia student shorts - I had inquired about possible expense-covering prior, and apparently one of the student-directors thought I needed that to attend the auditions (rather than if cast).  They were in two different rooms, so I did different monologues and a cold reading from One Flew over the Cuckoo's Nest; and I let them know about how much pay I would need to recoup travel expenses.
27: A similar wait as Steppenwolf at the next season audition, for Human Race Theatre Company, although they might have been more busy - started seeing walk-ins early, before appointments started.  I ran into a fellow from my university, whom I hadn't known personally, but I guess who knew me through common acquaintances.  And I did a similar thing in the room, as I mentioned my Bridgework director, who had worked for Human Race as well.  Journey down to Bloomington that day to attend auditions for Cardinal Stage Company, with a lot of the same personnel I remembered from previous times.  One asked again where I was from and how far it was, hinted they might call me back again; another wanted to know how long I had practiced capoeira.
28: More traveling, more season auditions, for Tipping Point Theatre (comedies TBA, and for 6-7 people in the room) and then Jewish Ensemble Theatre.  I was quite early for the second, arriving more than half an hour before the monitor, and again saw a friend of the colleague I mentioned at the Human Race audition.  The monitor actually came in to watch my audition.  The artistic director didn't have me sing, as the only singing roles for my age also involved playing piano.  She thought she might call me back in for Ellard in The Foreigner, but thought I seemed too young for the rest of the season (or too much of a contrast with others cast).  She seemed possibly a little hard-of-hearing, which made the exchange a bit surreal.
29-30: One of the Columbia students cast me in his short and we filmed in his hometown of Michigan City, which cut down on the drive time and expense.  I guess he and his friends have been working on low-budget horror for a number of years.  This one was a b&w 16mm silent 5-minute short, a final project for some 2nd year class.  The director later told me it was the top film at their class screening.

February 2009

2-6: More performances of The Further Adventures of Louie the Lightning Bug.
4: After a morning show, off to Chicago to do a whirlwind of graduate school auditions.  Each was similar in a way, 3 minutes of 2 contrasting monologues (classical/contemporary) (I used the same two pieces to fulfill this); and then a short interview.  Fortunately got in to the first - The Cleveland Play House/Case Western Reserve University - early, so I wasn't as rushed for the next appointment, The University of Tennessee, Knoxville, which also had me sing a few bars a capella.  While waiting for the third, National Theatre Conservatory, I remet a woman who had also been at the Hilberry audition.  It turns out she is the Casting Director for Festival 56, so I asked if I could audition for her as well.  So we found a quiet hallway and I did my package.  She then asked for another contemporary piece and asked me to present it conversationally.  After my song, she complemented my voice, saying I was a crooner ala Sinatra.  Then finished up the night with Old Globe/University of San Diego.
5: The next evening, auditioned for Notre Dame Shakespeare Festval's Twelfth Night.  [Actually, it's in my notes as "auditions/callbacks" - not sure if I recall why.  Perhaps a callback for students, plus others, such as myself, for the first time?]
8: NTC allowed us the time (Monday off) and mileage to drive down to Memphis for UPTA.  My slot was late afternoon Sunday, so callbacks stretched into the evening.  Started off with Hampstead Stage Company - I had not realized that my college friend Meagan worked for them, and would be in the room for the callback.  Next up, Tecumseh!-Outdoor Drama.  The artistic director, who of course remembered me from last year, had me present a different piece than my package, and filmed that.  Rolled on to Poetry Alive!, where I did some cold reads, then CLIMB Theatre, where they filmed some improvisation.  Both long contracts.  I asked to interview with Theater at Monmouth, since I'd had some previous contact with them.  After seeing a different Shakespeare piece, the artistic director said he didn't think I was the right type for Laertes, which was the only non-intern, non-Eqity role he was looking to cast.  But he said I should follow-up later if I thought I really did want to do another internship.  I decided not to go to a callback for Missoula Children's Theatre, based on previous interactions with them, and dropped off a resume/headshot with Texas Shakespeare Festival.  Then went and hung out at the bar for the rest of the night with NTC and Hampstead folks (and everyone else).
10-13: Even more performances of The Further Adventures ...
14: We traveled up to Madison to visit with another NTC troupe and attend the Wisconsin Theatre Auditions.  Odd format, as they have a separate appointment included (for those who desire) for American Players Theatre, which preceded (at least for me) the group audition.  Then they have two different rooms/groups for non-singing and singing actors.  I ended up performing five different pieces, with only one overlapping, to maximize the different situations.  It worked out well, except that the accompanist played way too fast, and I got another callback from each room; Great River Shakespeare Festival, although I think they do their main auditions in the summer a year prior; and Prairie Fire Children's Theatre, which just asked for my resume/headshot.
17-20, 23-27: And yet more performances of The Further Adventures ...
28: We were in or near Indianapolis, so I took the opportunity to attend a casting call there for an indie feature, Bloomington.  After my audition, I noticed they were pretty short-handed, so I offered to assist, signing people in and leading them into the audition room, etc. for the next couple hours.

January 2009

6: Drove to audition for Shakespeare Festival St. Louis' The Merry Wives of Windsor.  The artistic director asked how I had heard of the company, and where I was from, then said it was worth the trip.  I got down there early enough to lunch with Mary Woll beforehand.
10-16: Rehearsals for The Further Adventures of Louie the Lightning Bug at The National Theatre for Children, with Vanessa Miller.  Vanessa ended up with laryngitis by the end of the week, so we left town without a school preview, though this was after we got to share a run with the company (and see everyone else's varied takes on same and similar (and one different) shows).
14: Earlier, I left the company picnic midway to catch buses over to St. Paul and audition for Park Square's Othello.  The director/artistic director asked about my favorite Shakespeare experience and also the locations of Riverside & Bridgework.
20-23, 26-30: Many performances of The Further Adventures ... at many schools.  We spent some time near South Bend, so I was able to work on graduate school applications as well as a few other things.
22: Brigid & her kindergarten class saw the show when we were at her school in Elkhart.  That night was the 20th Annual Notre Dame Student Film Festival, which included the premiere of Prologue, one of whose directors bought my ticket.  First time seeing the completed film.  Also enjoyed seeing another short by the creators of Through the Window, and one by Joe Gleason with several folks I know.  Mary Claire, two Lauras, Jeremy, and a bunch others were also in attendance.
23: My parents, younger sisters, and my niece Abby (16 months) saw another local performance of The Further Adventures ...  Abby seemed to pay attention well for her age.  Of course, she had already seen one of my Bridgework shows nine months earlier, didn't cry or fuss then either.
29: Being in the area also meant I was able to usher for an Actors from the London Stage production of Much Ado about Nothing at Notre Dame.  I like the format (five actors, no director, little cutting, minimal props/costume) of their shows.
31: I attended the first graduate school audition, for Hilberry Repertory Theatre/Wayne State University.  The panel found my resume "impressive" and interviewed me regarding what I want out of the program.  I did well enough to be invited to the callbacks not a half hour later, which included a lot of snippets of instruction/play in movement, voice, rhythm and improvisation, then a cold read from Waiting for Godot.

December 2008

3: Had another voiceover & ADR session for Prologue.  That evening watched The Dark Knight at the dollar theatre with Daniel.  Still awesome!
4: Long day.  Crashed Utah Shakespearean Festival's auditions and finally seen after a long wait.  Union members got to present contrasting monologues, but only one for non-Equity.  I finished reading Scapino (zany!) before my next audition, an appointment this time, for Remy Bumppo.  The notices said that one monologue should "show skill with language".  The director appreciated my choice for that, said Plenty was a favorite play.  And then back that night to complete the Back to the Future trilogy, with Sheila, Liz, Justin, Dan, the Sarah's & Jon.
6: I had car trouble, and was running behind all day.  Auditioned for Crossroads Repertory Theatre, and had to tell them I was unavailable for dance or acting callbacks the next day.  And then barely in time to be a blackjack dealer for a corporate charity event.  Weird gig, pushy guests, really wanted to win the meaningless chips.
7: I had submitted my materials before crashing Illinois Shakespeare Festival's Equity auditions, and subsequently received an appointment for this non-Equity date.  They taped this one.
11: Watched The Day the Earth Stood Still and ate cookies with Sarah, Daniel, Allesha, Justin, Dan & Jon.  [I think this was the classic b/w version, not the recent remake.  But eventually I saw both, so this could be either.]
15: Finished reading House of Blue Leaves.  Bells on!
17: An audition for a nearby college's radio spot at a local ad agency.
18: I attended a screening for the Intermediate Film Production class, and the professor noted and thanked those of us who were in multiple shorts (4 for me).
19: I had a voice audition for a re-dubbing of a cartoon.  They didn't say what it was, but from context it must have been Numberjacks, an English educational show.  No appointments and the producer was late.  That night watched my high school's production of Twelfth Night.  My friend Tom Noe (text coach) stepped in for someone who couldn't perform (ill?).
20: Went to Justin's family's cabin on Crooked Lake, did some tobogganing, ate lots of food and watched Home Alone with the family, Jon, Ricky and others
21: Drove down to Indianapolis to work the strike/load-out for Actors Theatre of Indiana's A Year with Frog and Toad.  They weren't paying much more than the expense, but I got them to throw in a comp for the show too.  Kyra Jeanne Kenyon, who was in The Selfish Giant with me a few years back, played a Bird and Turtle and did an excellent job.  The whole show was fun, and I met a few people during the strike that I had only known online previously.

informal, heavy puppet express fu

8 September: After the previous late night filming, made my way (via Dayton and visiting my brother and his family) down to Charlotte for the Southeastern Theatre Conference (SETC) fall professional auditions. As usual, the space is quite dry, so that coupled with being in the first group of the morning may have kept my audition from excelling. Still felt pretty good.
I had several callbacks. Jefferson Performing Arts Society asked for my headshot/resume. Then I had another with The National Theatre for Children, whom I have seen before at an UPTA and another time as well (maybe two UPTAs?). Pat remembered me right off and I jumped into some cold reads and a bit of improv. We interview a bit after that, and turns out we had added some more people in common acquaintance. Next was an informal callback with Harold Clurman Laboratory Theatre Company (new professional wing of Stella Adler Studio of Acting). They hadn't cemented their season yet, so just expressed interest in my talent as they could gauge from one short monologue! Johnny had worked with Bridgework a while ago, so we talked about that some, and he also encouraged me to look into their Studio also and forward along any questions.

9 September: On the way home (again with a rest in Dayton), stopped in Indianapolis for a reading of TOW with a portion of the cast/crew. Some heavy hitters among them, at least for Indiana.

10-11 September: A few final rehearsals of Complete Works - a lot of improvements had continued in my absence.

12-14, 16, 18-21 September: Run of The Complete Works of William Shakespeare (abridged) to mostly enthusiastic crowds. Due to my duties (calls, running a few props, puppeting the Ghost), I couldn't see most of the show, but every night I could watch the Romeo & Juliet and Hamlet-interactive scenes, which were the highlights for me anyway, so that worked out well.

17 September: Got a chance to catch a sneak peek of The Express in Chicago, although they overbooked and I, even leaving right after work, was not near enough to the front of the line. I ended up explaining that I had traveled to be there, had worked on the film and would really appreciate getting in, and a few of the nice ladies from Davis Entertainment found a way to make it happen. They got me into an alternate screening with the Boys & Girls Clubs, which was an experience in itself. Dennis Quaid (flight-delayed) finally came in and gave a stump before they rolled.
The film was better than I had expected; the editing, which was not exactly to my general tastes, worked well for this story, although it did make it difficult to look for myself in the background. Finally saw myself near the climax of the film, laughed out loud at the characterization I had effected in that few seconds (and probably a bit from anticipated surprise as well).

27 September: Saw Kung Fu Panda with Kyle at the dollar theatre. Funnier than I had expected from the previews, which I think were misleading; still sachirine and a falsely-deep 'philosophical' bent.

close complete, leap pineapple, ribald fortune

10-11 August: Final performance of A Midsummer Night's Dream. Felt good, even as it was bittersweet, to see one of the new actors mouthing lines in the audience, to meet another replacer for one brief night before we left the house, to ride over with a new intern getting started on this show, at this theatre and on her path.
We then struck Barefoot in the Park. Odd closure to dismantle a set never-used, to stow our own equipment for additional performances.
I like a lot of the traditions this theatre has, too, for opening, closings and so on.

14, 18-22 August: Over a brew at the local pub, discussed some problems (health and otherwise) the Civic Theatre's production of The Complete Works of William Shakespeare (abridged) has been having, and agreed to join, for an indeterminate period, the ongoing rehearsals. So I have been holding book, taking stage managery-type notes and offering assistant directory-type suggestions and commentary. They have discussed the possibility of me serving as stage crew as well, although I have some conflicts during tech week (and have been auditioning for additional possible conflicts).

15 August: Traveled along with a friend for his scene (6) in Quantum Leap: A Leap to Di for and ended up helping out as a cord wrangler and general p.a. Great energy among the cast and crew!

16 August: Watched Pineapple Express with Kyle. Not knowing much of what to expect from the film, I was reassured by Kyle's assertion that he doesn't really see bad movies (although we had previously watched Indiana Jones and the Kingdom of the Crystal Skulls). Turned out to be hilarious, unobtrusively-formulaic and slightly subversive, although having a few tone wrinkles. Some good performances by some actors I don't know or hadn't thought about much.

20 August: Auditioned for Lookingglass Theatre's 2008-2009 Season, which includes The Brothers Karamazov (an adaptation of one of my favorite books), Our Town and Arabian Nights. The producing artistic director then asked me some questions and had me redo my monologue, bearing more presently in mind the line that encapsulated my objective. Nice to be able to receive some feedback and take direction at an audition!

23 August: Auditioned for The Sapphire Theatre Company's Lysistrata, the premier production of a new theatre in Indianapolis. This involved, in addition to the monologue, telling a joke. So, of course, I told my favorite, the stupid pirate joke. It was also fun to hear some of the other auditionees jokes, a wide range of joke-style among only a few samples - and all bearing in mind, at least somewhat, the tone/subject matter/concept/bent of the play. I was only able to read an old, somewhat stilted (but in other places quite amusing) translation (Jack Lindsay) of this work by Aristophanes, while the production in question is from an adaptation by the theatre's founders.
I ran into some cohorts there, Nikki (a lead in A Leap to Di for) as well as Lynne (director of all four Bridgework shows), Matt and Emma (her husband and precocious daughter), and then had an amusing lunch with that last three.
Then auditioned for Tow (Grillbust Productions), a murder-mystery feature. This one was a cold read, with which I didn't think I did anything too spectacular, but the auditors appeared to be appreciative. Not sure I'd really like to play the character for which I read, but I will be considered for other roles based on the read.

Bare, sweating the window of lokeli.

July 18: Watched Barefoot in the Park's opening night. I really enjoyed this, much funnier than reading the play was. Justin -- who has preceded me at several theatres along my career, as well as sharing a few other tangentials -- was brilliant, great to see him shine on stage as opposed to just around the house. Sherman was also convincing and amusing - the whole cast, actually, did well.

July 19: After our longest hiatus in the schedule, we had a satisfying return to performing A Midssummer Night's Dream. Although, it was hot! Great audience, lumpy uneven ground as our stage, only the slightest hitches in our delivery. I'm really happy with this cast.

July 20: Watched Act Two of Dr. Horrible's Sing-along Blog - not quite as funny as the first installment. And I didn't realize that these were only free for a limited window, so I missed Act Three.

July 21: Finished reading The Overwhelming by J. T. Rogers, in anticipation/as part of decision to audition for the role of Geoffrey in a production of it at Next Theatre in Evanston. Powerful, tangled, but in some ways simple and direct.

Blood, Veggies and Friends in Tennessee

13 July: Watched There Will Be Blood with Aunt Winnie & Uncle Rick. Grasped several subtleties not appreciated on the first viewing.

14 July: Visited Emily Brown (on her birthday) at Dollywood and saw her dance and puppet in two Veggie Tales Live shows: Rack, Shack and Benny and Lyle the Kindly Viking. Sort of funny, not a lot of substance. Also saw a loosely-plotted musical revue, Dreamland Drive-in - sung well, danced passably, acted . . . lightly.
Various shared acquaintances with some of her castmates: Creamery castmates of mine = college friends of theirs.